low light lens This is a topic that many people are looking for. bluevelvetrestaurant.com is a channel providing useful information about learning, life, digital marketing and online courses …. it will help you have an overview and solid multi-faceted knowledge . Today, bluevelvetrestaurant.com would like to introduce to you LOW LIGHT PHOTOGRAPHY – Taking BETTER shots in BAD conditions.. Following along are instructions in the video below:
“Music. What s up everybody npeter mckinnon here welcome to toronto today. We re talk talk about nlow light photography. I know it doesn t really nlook low light right.
It s because it s the middle nof. The day. It is like 11 30. I just need to find out nwhere to pay for parking upbeat music engine starting had to park like 100 miles away.
Because the underground nwas. Too low for this truck upbeat music. We re here at my friend. Jon simo s studio.
Which is called neon demon. You may have seen it in vlogs before this guys found. Like every npossible neon sign know to man. I m pretty sure every nsign that has ever existed.
That s neon is in his studio. So let s go check it out and talk about low light photography. This is a fun building here. He is n.
Hello. Whoa dude. Look at the color nthat comes outta that room suspenseful. Upbeat music.
Look. At the first thing. He asks. Me is if i want a coffee.
Yes. Dude. Yes. Having great time.
Let s get down to the brass tax of things. When you are take low light photography. When you re taking pictures. Nin low light settings.
The biggest thing people nare always running into is either the photos are too nnoisy or they re blurry. Because everything s moving to fast. And you shutter speeds not fast enough to keep up with the movement. Those are usually the biggest culprits of having difficulty shooting nsomething in low light like i just said shutter.
Speeds ngonna be one of the things you wanna keep in mind all the time when you re shooting in low light try to always double your focal length. If you re shooting with na 50 mil try to make sure your shutter speeds at nleast at 100 millimeters that s gonna at least give nyou relatively decent speed to keep up with what s nhappening in a scene. A lot of people will say nmy kids are in doors. It s at night.
They re running around or my pets are running naround. I try to take a photo and then they re half blurry because they re moving through the scene. You have dog running through the frame and you snap that photo nbut the dogs moving faster than your shutter speeds nable to open and close if you are in a low light nsituation and you re saying. But pete i put my shutters nspeed to like one over 20 like 125th of a second and nthen everything s too dark.
That s when you have nto compensate by adding that fake light. If you will the iso to compensate by nbumping that iso up higher. Which lets you in turn make nthat shutter speed faster so it s gonna capture photo nfaster in low light situations by bumping up that iso but keep in mind. The nhigher you bump up that iso the more grainy.
It s gonna get the more noisy. You re gonna nintroduce into your photos. That brings up point number two you re shooting in low light. Nand you have shutter speed and that sweet spot your iso set.
To. Maybe. 3200 whatever. Nmaybe even.
Higher 6400. You get those photos nback in the light room. And you think. It s little bit grainy you can go down to the nluminance adjustment.
And that s on the right side nright here. I ll show you if you move that luminance nover. A little bit to the right. It s gonna start to smooth out that photo don t go to far.
Though if you go to far with that luminance you ll just look like a plastic balloon you ll just look like a balloon animal everything will look terrible make sure you re in that nice sweet spot because sometimes a little bit of noisy a little bit of grain nactually looks good in photo. There s a lot of time i ll nadd grain to something to give it a more stylized texture. You guys hear me say texture. All the time so that would be point number two is make sure that you use nyour luminance adjustments.
Within light room to compensate for those noisy low light photos. So you ve got shutter speed making sure we re at the nproper shutter speed. And we got the iso making sure we re bumped at the right iso and using luminance within light room jon just brought up a good point. When we re talking about shooting.
Raw. You want to make sure nthat you re shooting raw especially in low light situations. Because you can really nbring a lot back and out of a raw photo oppose to nshooting something like jpeg. So it s great to know the nlimitations of your camera.
And how far you can push a raw photo. Because something that s shot in camera. That s looks a little but nto low or under exposed. You would be very surprised nas to how far you can bring that raw photo.
When you are nshooting in post after the fact a shot that might look like this can then look like that nwhen you re finished and that s all just moving the data. That s stored inside raw photo and it s not actually damaging nthe photo in the process. If you re shooting. Something like jpeg you re not gonna be able nto have that flexibility without damaging the file nand killing the high res that you paid for with the camera nthat you re using right now another tip with shooting in low light.
Is you re gonna make sure you re nshooting wide open aperture as wide open as you can make that lens go letting in the most amount of light which let s you shoot nat. Higher shutter speed all of this stuff kind of ncircles back to camera basics that we talked about ni ll link it up there. But those are very important aspects. Because if your shoot at five six or f8 that lens that opening is so small letting in such little amounts of light that you re not actually being nable to capture anything so you wanna make sure that you re opening that up nice and wide now lens that have faster napertures that are wider.
They re gonna be more expensive. So that a little bit of a trade off. But you use all of these things together to compensate for the lack of light shutter speed the aperture the iso and trusting your raw files. I wanna give you guys a quick tour of this neon demons studio.
It s so awesome jon s put so much work into na bunch of different scenes and signs and restoring things and making it just sick place to shoot. So full disclosure. I have nbeen here for nearly two hours and done nothing but like nmarveled at this stuff. So now it s time to crunch this entire video into the next 20 minutes.
But this is the tv scene all of these tv s turn on and off and display. All this cool static. Which looks super cool and super stylized and then above. It.
You ngot. A neon sign here that s corner. Number one number two this corner nhere. The drug sign the drug sign is popular nfavorite amongst.
Lots of instagramer s and people nthat come shoot here it s that neon blue dope squad sign color which obviously i m a nlittle bit partial to also it s important to note nthere is a perfectly placed whole in the chain. Which nwe would refer to as the instagram chain link nwhole because you guys know instagramer s love shooting nthrough chain link wholes attention to detail. This is one of my favorite signs this sign says. This is nchinese and i love that i just think that s really really funny this corner here is like the bathroom of like a subway stop nafter you watched a film and the dude.
Just killed. Nsomeone and he s running into the corner to wash nthe blood off his hands. And he s looking at himself in the mirror. Contemplating the choices.
He s made that s happening in the corner. Right here here s a closer look at this corner. And then if you just move nforward you get that nice there s just so many colors. The phone booth super dope i fit in it too like i fit nperfectly in this phone booth hello.
If i bring you in here nwith. Me and close the door will you pass me that aerosol. I put this in a vlog nmaybe two years ago. Now this is the stuff.
I showed you when we were like doing nsome urban exploration and we used this to smoke up the ooh moody right come. Non like that super cool now. I gotta figure out nhow to get out of here coughing. I love how colorful this vlog is gonna be this is the lucky sign and none of my personal favorites.
It s just really nice. It s njust yellow just crisp. So that the other side nof. The phone booth california sign still trying to figure nout.
Where this came from apparently. It was ncommissioned for a movie. Jon s trying to figure nout. What movie.
It was for which kinda makes it a little nmysterious really like that on this side. You have nthat fake glass wall that you can spray to make it look nlike. It s raining outside again attention to detail. It s those little clever things that make great photos and great videos area 51 straight up get nothing ndone stand in this corner and play old school videos ngame all day all day playful music.
So if you ever come shoot. Here plan for at least half an hour doing this rack of sun glasses. Great touch put these on nget super. Awesome photos.
And like this. Like you just saw. So. That s a fun little touch.
There peter remember that nwhat is this thing. So this is my master control unit. I have almost every sign in here rigged up to smart switches peter. I don t even have nmy house rigged like this so i can do this.
And it ll turn off peter whoa. Oh. So you can really nlike change. The lighting.
Like if you want it to nall be like nice and blue then you can just or if you just go like boom. Peter oh. That s sick hey siri turn on area 51 siri done peter everyone s playing nfortnite. But here.
We go you ve tried to set this space up so this it tells a story with different neon signs nand things like that the best part about neon nis that it tells a story. It s the only source of nlight that does that and finding neon on the street. That does just that is really difficult i wanted to make space npeople would come in and experiment and play and have fun man. This is the best look at this thank you to jon for letting nme actually shoot here.
And do wanna plug just for two seconds just cause. We gotta a lot plug if you live in toronto. Nor. You re just visiting.
I d love for you to come nby and see the studio just hit me up on ninstagram neondemonstudio. Peter. Sick. And you re always adding nto this spot too right yeah like a new a nsign every couple weeks.
Peter oh. My goodness it s so sick dude. Thank you so much for having us. It s been a blast thanks for the coffee and we ll see you next time goodbye.
Wow. That was as cool as ni. Thought. It would be i mean.
I love my dope squad sign. But being a room filled nwith that many signs there s honestly there s ntoo much to shoot. We only had like two hours set for this i could have easily taken nlike the entire day in there and just kept shooting. So jon thank you again man that was awesome more low light photography ntips coming atcha you know.
When i think a tip nfor low light photography that i was just casually ngive someone would be don t be afraid to use the nsettings that your camera offers technology. These days is so good even back 15 years ago. When we nwere shooting with rebel xt s and you d push 800. Iso nin low light situations.
And it would like you were nshooting with sand on your. Lens it s like a. Beach but now you can shoot 6400. Nand up and it looks so good so don t be afraid to bump those settings.
That s what you re paying for nis. The quality of that sensor being able to shoot in nsuch low light conditions don t not use it because you re afraid that it might be grainy. It s 2018 cameras are nmeant to do this now. I would say that s kinda nlike causally tip that i would kind of just through out.
There just toss it out there. It s just use your equipment push it get what you paid for soft electronic music started thinking about npulled pork on the way home stopping for pulled pork. They make the best sandwich. I think another important npoint when we re talking about using cameras in low light nis specifically.
Photography. Low light is gonna be a nlot less forgiving. When you re shooting. A video nit s a lot hard to mask that low light video when it get pixelated it starts getting grainy and nnoisy is a lot harder to fix and just a lot harder to nget to look like quality than when you re shooting.
Photos. You can sometimes like i said early low light and grain actually nlook good in photos. Sometimes and it s a lot easier to nclean up using light room. I know this video is title nlow light photography and a lot of these principles nsometimes also apply to video.
But it is a lot easier to push your gear and your equipment when you nare doing photos versus videos. I m gonna order a pulled pork sandwich. And i think that s a smart choice so pumped not bad right not bad at all thanks for watching hit the like button. If nyou like this video.
Smash. It if that s nsomething that you re into 2018 style subscribe. Nif. You aren t already and i will see you nguys in the next video.
I need more neon goodbye. ” ..
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